JOIN/RENEW
Search for:
ABOUT
About the Trust
Our History
Dewey Lee Curtis and the Creation of the Decorative Arts Trust
Emerging Scholars Program
Study Trips Abroad Program
The Logo
40th Anniversary
Newsroom
Officers and Governors
Staff
Careers
Contact
EVENTS
Calendar of Events
Symposia
Sojourns
Study Trips Abroad
Special Programs
Virtual Programs
Events in the Field
GRANTS & SCHOLARSHIPS
Grantmaking Overview
Funding for Institutions
Grants for Emerging Scholars
Continuing Education Scholarships
Curatorial Internship Grants
Emerging Scholars Lectures
Failey Exhibition & Conservation Grants
IDEAL Internship Grants
Prize for Excellence and Innovation
Publishing Grants
Research Grants
ONLINE LEARNING
New Research
Exhibits
Books
News
Magazine
Lecture and Tour Recordings
Graduate Programs Resource
Puzzles
MEMBERSHIP
Join/Renew
Gift Memberships
Member Login
DONATE
Directed Gifts
Planned Giving
STORE
BULLETIN
Select Page
Mars and the Gilded Age Imagination
ARTICLES
“My Dinner Set from China”: Charles Manigault’s Chinese Export Porcelain
Understanding Wyck’s Chinese Desk
Undercut and Cut Glass “from Below”
Raising the Edge: A Scrutiny of Historic Frames at the Art Gallery of Ontario
Enlivening Ancient Vessels: Interactions with Roman Bronze Figural Balsamaria
Shapes and Motifs in Motion: Rethinking Ivory Pipe Cases Across Worlds
Changing Identities: 17th-Century Netherlandish Miniatures
Time Travel in the Thames Valley: Ham House and Osterley Park
Vibrant Visions: The Frescoes of Knossos and Their Decorative Legacy
Making Music at Nemours: Alfred I. duPont’s Music Room at his Delaware Mansion
