by The Trust | Jan 15, 2020
BY ASHLEY BOULDEN
I examined and documented a wide body of prints and drawings that anchor my investigation of the circulation of ornament in 18th-century at the Morgan Library and the Cooper-Hewitt, Smithsonian Design Museum in New York City, as well as the Canadian Centre for Architecture (CCA) in Montréal, Canada.
by The Trust | Jan 15, 2020
BY VISHAL KHANDELWAL
For the last leg of my dissertation research on mid-20th-century industrial design in India, I analyzed collections at the Cranbrook Academy of Art, keen to understand how the renowned textile innovator Marianne Strengell’s teaching at Cranbrook informed the work of design students Helena Perheentupa from Finland and Nelly Sethna (née Mehta) from India.
by The Trust | Jan 15, 2020
BY PATRICK JACKSON
My research at the Smithsonian American Art Museum (SAAM) centered around a portrait of the Onondaga Iroquois chief Ossahinta by the Syracuse, NY, painter Sanford Thayer.
by The Trust | Jul 11, 2019
Ceramics and the Environment in the Late-Twentieth-Century American West EMERGING SCHOLARS > SUMMER RESEARCH GRANTS by Matthew Limb, PhD. Candidate, University of California, Santa Barbara In the summer of 1974, Studio Potter magazine addressed the growing concern...
by The Trust | Jan 17, 2019
During nearly 50 years of operations, perhaps no other designer would come to more fully embody the aims of Newcomb Pottery than Harriet Coulter Joor (1875–1965). A talented and influential artist during her Newcomb years, Joor eventually established a successful independent career as an art instructor, professor, and freelance designer of ceramics and home furnishing textiles.
by The Trust | Jul 23, 2018
BY EMELIE GEVALT
In the spring of 1929, just months before the stock market crash that would plunge the country into the Great Depression, the American antiques market surged to an astonishing peak with the sale of the Howard Reifsnyder collection.
by The Trust | Jul 23, 2018
BY LYDIA BLACKMORE
A SOUTHERN SILVER PITCHER RECENTLY ACQUIRED by The Historic New Orleans Collection represents the artistry, skill, and assimilation of two German craftsmen in the Crescent City less than a decade before the Civil War
by The Trust | Jan 9, 2018
By CHRISTINE RITOK & KEVIN G. FERRIGNO
The Decorative Arts Trust recently awarded a research grant to Historic Deerfield in support of a project focused on the 270-page ledger kept by Hartford, CT, cabinetmaker Lemuel Adams (1769–1850). Furniture historian Kevin G. Ferrigno discovered the ledger at the University of Miami (FL). The document provides an unprecedented record of the cabinetmaking business in Hartford during the 1790s…