The Decorative Arts Trust - Fostering Appreciation for the Decorative Arts Since 1977

Prize for Excellence and Innovation

Nominations for the 2022 Prize are due by June 30

Richmond: Discovering Virginia’s Capital on the James

Fall Symposium
September 2022

Bavaria: Grandeur in Southern Germany

Study Trip Abroad
October 2022

Events in the Field Online Calendar

New Resource Features Dozens of
Programs from Around the World

The Decorative Arts Trust is a non-profit membership organization that promotes and fosters the appreciation and study of the decorative arts through programs, partnerships, and grants and scholarships.

About

Calendar

GRANTS AND SCHOLARSHIPS

Helen Scott Reed Study Trip Abroad Scholarship

Deadline for Bavaria Trip June 30

Dewey Lee Curtis Symposium Scholarships

Deadline for Richmond Symposium August 10

Curatorial Internship Grant

Deadline September 30

FROM THE MAGAZINE

Palazzo Tursi’s Genoese Maiolica

Asian Exports on the North Shore

Frederick Douglass and American Classicism

IN THE BULLETIN

George Nelson's Furniture

Designing Motherhood

Souls Grown Deep

FEATURED VIDEO

Virtual Dialogue with Isabella Rosner and Melinda Watt

On Thursday, February 10, 2022, Isabella Rosner, PhD Candidate in History at King’s College in London, shared her research on 17th-century Quaker needlework from public and private collections. After her presentation, Isabella was joined in conversation by her mentor and friend, Melinda Watt, Christa C. Mayer Thurman Curator of Textiles at The Art Institute of Chicago.

ON INSTAGRAM

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May 23

Any opportunity to visit a suite of rooms designed by Robert Adam is special, especially as Headfort House is his only extant major commission in Ireland. Built in the 1760s to the designs of Dublin-based architect George Semple for the Taylour family, the four Adam rooms were finished c. 1770 and offer much-needed ornament, color, and lightness to Headfort’s austere gray exterior. A family home until 1949, the dwelling was converted to a school. Detailed analyses of the decoration were undertaken once the ownership of the building was transferred to a preservation trust, and the rooms are slowly returning to their late-18th-century appearance. Headfort appears to retain some of the original Neoclassical fixtures in addition to the woodwork and plaster. The restored color of the green Eating Parlor is a definite showstopper, and the preservation trust will tackle additional rooms as funding allows.

See more trip photos in our stories and our Instagram "Upper Ireland" highlight.

Learn more about Decorative Arts Trust Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/.

#HeadfortHouse
#DecorativeArts
#MaterialCulture
#ArtHistory
#Architecture
#Design
#ArtTravel
#Travel
#Ireland
#CountyMeath
#Kells

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May 20

$We're enjoying Tour 2 of the The Great Houses of Upper Ireland: The North & Border Counties Study Trip Abroad! One of our favorite visits was Castle Ward in County Down. Like the Roman god Janus, the National Trust’s Castle Ward has two faces. Built 1761-66 for Anne and Bernard Ward, the front façade was rendered in the Palladian style, and the rear elevation in the Gothick mode popularized by Horace Walpole at Strawberry Hill. The synthesis of two prevailing mid-18th-century tastes was carried through the interiors as well. Architectural historians long attributed this bifurcation to the Wards’ fractious marriage, which later ended in a separation, but the split is now interpreted as an intentional illustration of the couple’s awareness of contemporary styles. An 1830s revamp complicates our perspective of the house during the Wards’ occupancy, but a great deal of original material remains. Castle Ward has experienced a pandemic-induced renaissance at the hands of collections and house manager Neil Watt and his partner Kris Reid, who have dedicated the past two years to injecting new life into the house while residing in an upstairs apartment. See more trip photos in our stories and our Instagram "Upper Ireland" highlight. Learn more about Decorative Arts Trust Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/. @ntcastleward #DecorativeArts #MaterialCulture #ArtHistory #Architecture #Design #ArtTravel #Travel #CountyDown #Ireland #Castle$

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May 16

How far we've come! On May 16, 1977, the Decorative Arts Trust was chartered with Dewey Lee Curtis at the helm. Over the years we have added international programs and a robust Emerging Scholars Program with grants and scholarships.

We are especially proud of our relatively new Prize for Excellence and Innovation, which awarded $100,000 to Craft in America in 2020 and the Black Craftspeople Digital Archive in 2021. Nominations for the 2022 Prize are due June 30: https://decorativeartstrust.org/prize-excellence-and-innovation/. (Link in bio!)

We look forward to continuing to work with a diverse group of excellent partners, scholars, and enthusiasts to share the stories behind fascinating objects!

Pictured: Craft in America's Craft Video Dictionary recording about wood inlay with James "Jim" and Jack Ipekjian, https://www.youtube.com/watch?v=OCBMiO8FI2g. Learn more at https://www.craftinamerica.org/publication/craft-video-dictionary.

@craftinamerica
@blackcraftspeopleda
#TrustPrize
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Antiques
#Museum
#Curator

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May 13

Congratulations to @EricaPLome, PhD for her @AntiquesAndTheArts Weekly feature by @ZGBurnett! Read the article in print or at https://www.antiquesandthearts.com/qa-erica-lome-phd/.

Erica, an assistant curator at @HistoricNewEngland, recently presented the John A.H. Sweeney Emerging Scholar Lecture at the Decorative Arts Trust's Spring 2022 Symposium in Kentucky. She also shared a fascinating Object Share video with Trust members, highlighting HNE's new exhibition about the history of tattoos and related ephemera.

Erica was the Peggy N. Gerry curatorial associate at the @ConcordMuseum, a position sponsored by the Decorative Arts Trust. Read more about her experience helping to reimagine their "April 19, 1775" galleries in this article from 𝘛𝘩𝘦 𝘔𝘢𝘨𝘢𝘻𝘪𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵: https://decorativeartstrust.org/concord-museum-article/. Enjoy Erica's virtual tour of this gallery space at https://youtu.be/s-OqcRUdAUY.

Way to go, Erica!

@udamciv
@bardgradcenter
@winterthurmuse
@nemoursestate
@nyhistory
@madmuseum
@americanswedish
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Furniture
#Curator
#Research

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May 9

Set in a wooded park outside of the town of Enniskillen, we encountered Florence Court, among the finest country houses in Northern Ireland, built in the 1740s with arcaded hyphens and pavilions added in 1771, the former by John Cole, Lord Mount Florence, and the latter by his son, 1st Earl of Enniskillen.

A major fire gutted the central block, but few furnishings were lost, and the important mid-18th-century plasterwork in the dining room was saved. Loaded on the sideboards in that space today is an excellent collection of silver. The house contains splendid examples of 18th-century Irish furniture, including a masterful mahogany bed and a marquetry desk and bookcase associated with a German immigrant cabinetmaker, and we were fortunate to have furniture conservator Fergus Purdy in tow to share the work he has tackled at both Florence Court and Castle Coole, including the front door, currently underway.

Learn more about our Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/. See more photos in our stories!

@ntfermanagh
@nationaltrust
#TravelsWithTheTrust
#ShareYourShell
#DecorativeArts
#MaterialCulture
#ArtHistory
#Furniture
#InteriorDesign
#Architecture
#ArtTravel
#Travel
#FlorenceCourt
#Enniskillen
#NorthernIreland

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May 5

Our twice-postponed Study Trip Abroad to Upper Ireland is finally underway! One of our visits was Mount Stewart east of Belfast, welcomed by Peter and Lady Rose Lauritzen. The grand, early-19th-century house features wonderful interiors and a spectacular garden, but a trip to the nearby Temple of the Winds was a great treat. Designed in 1783 by James “Athenian” Stuart, this banqueting pavilion was modeled off a Classical precedent in Athens. Staffed by servants manning a basement kitchen and accessing the stores of a wine cellar and ice house via a tunnel hidden in the hillside, the retreat offered guests fabulous views over Strangford Lough and the Mourne Mountains. The Temple features a spiral staircase of iron and bronze, plasterwork by William Fitzgerald, and an extravagant inlaid floor matching the ceiling by John Ferguson. A restoration and redecorating scheme in the 1960s by the renowned designer John Fowler introduced the color and inappropriate chandelier found today. Unfortunately, none of the original furnishings are extant.

Learn more about the Decorative Arts Trust's Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/.

@ntmountstewart
@nationaltrust
#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#InteriorDesign
#Architecture
#ArtTravel
#Travel
#MountStewart
#Newtownards
#Belfast
#CountyDown
#NorthernIreland

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Apr 27

Congratulations to Allie Cade for presenting a fantastic lecture at The Wonder of Wood: Decorative Inlay and Marquetry in Europe and America, 1600–1900 Conference last night!

The Decorative Arts Trust was proud to sponsor Allie's lecture, 𝘐𝘯𝘭𝘢𝘪𝘥 𝘓𝘶𝘵𝘦𝘴 𝘢𝘯𝘥 𝘚𝘢𝘯𝘥–𝘚𝘩𝘢𝘥𝘦𝘥 𝘍𝘭𝘶𝘵𝘦𝘴: 𝘔𝘢𝘳𝘲𝘶𝘦𝘵𝘳𝘺 𝘏𝘢𝘳𝘱𝘴𝘪𝘤𝘩𝘰𝘳𝘥𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘞𝘰𝘳𝘬𝘴𝘩𝘰𝘱 𝘰𝘧 𝘑𝘢𝘤𝘰𝘣 𝘒𝘪𝘳𝘬𝘮𝘢𝘯. Allie is a PhD candidate in American Civilization at the University of Delaware and is pictured here with the Decorative Arts Trust's Executive Director Matthew A. Thurlow and the Philadelphia Museum of Art's Montgomery-Garvan Curator of American Decorative Arts Alexandra A. Kirtley.

Learn more about the conference at https://www.winterthur.org/calendar/the-wonder-of-wood-conference/.

@winterthurmuse
@philamuseum
@sigalmusicmuseum
@udamciv
@udelaware
@alexandraakirtley
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#Wood
#Woodworking
#Inlay
#Marquetry
#Furniture
#Harpsichord
#Antiques
#ArtHistory
#Design

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Apr 25

“All sculptors worked in all media; no one material seemed to have precedence over another. Moreover, the family worked in collaboration—even, as the show points out, across generations—and often independently of commissions, producing works for an open market.”

This is one of the ways Elizabeth Saari Browne, PhD, describes the Adam dynasty of Lorrainaise sculptors, of which Clodion (Claude Michel) was a member through his mother, Anne Adam. Elizabeth received a Decorative Arts Trust Research Grant to visit Sèvres, Musée des Beaux-Arts de Nancy, and Château de Lunéville for her dissertation in the History, Theory, and Criticism of Art and Architecture program at MIT.

Read more in this post in 𝘛𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯: https://decorativeartstrust.org/clodion-sculptor-post/. (Link in bio!)

Pictured: Claude Michel, called Clodion, 𝘓𝘢 𝘗𝘭𝘦𝘶𝘳𝘦𝘶𝘴𝘦, 1766. Terracotta. Musée du Louvre, RF 1827.

Research Grant applications are due April 30: https://decorativeartstrust.org/grants-and-scholarships/research-grants/.

@esaarib
@cooperhewitt
@mithtc
@museebeauxartsnancy
@chateauluneville
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Sculpture
#Sculptor
#Sevres
#Clodion

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Apr 10

Meet Ann Glasscock, PhD, who is attending the Decorative Arts Trust's Spring Symposium in Lexington, Kentucky, as a Dewey Lee Curtis Scholarship recipient. Ann is the associate curator at the Taft Museum of Art and has worked for the Chazen Museum of Art, the Chipstone Foundation, and the Philadelphia Museum of Art. She also received a Decorative Arts Trust Research Grant for her investigation into craftsman and designer Hudson Roysher’s ecclesiastical silver. Ann is pictured at Hopemont.

Learn more about our Symposia at https://decorativeartstrust.org/symposia/.

Scholarship applications for our Richmond Symposium on September 22-25 are due August 10. Learn more at https://decorativeartstrust.org/grants-and-scholarships/continuing-education-scholarships/.

@taftmuseum
@chazenartuw
@thechipstonefoundation
@philamuseum
@uwmadgsed
@bluegrasstrust
#Hopemont
#TravelsWithTheTrust
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Design
#Architecture
#Travel
#Kentucky
#Lexington

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Apr 10

Carlene Bermann from the Cooperstown Graduate Program joins us as a Dewey Lee Curtis Symposium Scholarship recipient in Lexington, Kentucky. While Carlene works towards finishing her degree in May, she also holds positions at the Greater Oneota Historical Society and the Mount Desert Island Historical Society (remotely).

You may remember Carlene's Virtual Dialogue about Hyde Hall, which you can watch on our YouTube channel at https://www.youtube.com/watch?v=3QXU7HCJJhg.

Carlene stands at Pope Villa, designed by architect Benjamin Henry Latrobe in 1810–11. An 1987 fire created an opportunity to pull back the layers to reveal Latrobe’s original plan, and the Blue Grass Trust is finalizing plans for the future preservation and interpretation of the house.

Learn more about our Symposia at https://decorativeartstrust.org/symposia/.

Scholarship applications for our Richmond Symposium on September 22-25 are due August 10. Learn more at https://decorativeartstrust.org/grants-and-scholarships/continuing-education-scholarships/.

@bermanncn
@coopgradprogram
@oneontahistoricalsociety
@mdihistory
@bluegrasstrust
#TravelsWithTheTrust
#TrustEmergingScholars
#PopeVilla
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Design
#Architecture
#Travel
#Kentucky
#Lexington

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Apr 9

You may recognize Kate Hughes, a Middle Tennessee State University PhD student who is a Dewey Lee Curtis Scholarship recipient at our Lexington, KY Symposium. Kate was the Peggy N. Gerry Research Fellow, supported by the Decorative Arts Trust, at The Metropolitan Museum of Art's American Wing. She wrote about her experience in this article in 𝘛𝘩𝘦 𝘔𝘢𝘨𝘢𝘻𝘪𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵: https://decorativeartstrust.org/edgefield-stoneware-met/.

Kate is pictured at at Hopemont, completed in 1814 for John Wesley Hunt. Learn more about our Symposia at https://decorativeartstrust.org/symposia/.

Scholarship applications for our Richmond Symposium on September 22-25 are due August 10. Learn more at https://decorativeartstrust.org/grants-and-scholarships/continuing-education-scholarships/.

@kate_carson_hughes
@metmuseum
@metamericanwing
@mtsugradstudies
@bluegrasstrust
#Hopemont
#TravelsWithTheTrust
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Design
#Architecture
#Travel
#Kentucky
#Lexington

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Apr 8

Our Spring Symposium in Kentucky officially starts today! Much of the program's activities take place in the Blue Grass Trust's Dr. Thomas Hunt Morgan House.

Built in 1869, the Dr. Thomas Hunt Morgan House was home to Kentucky’s first Nobel Prize winner. Thomas Hunt Morgan won the Nobel Prize in Physiology or Medicine in 1933 for discoveries elucidating the role that the chromosome plays in heredity. The estate includes a mid-19th century-interior and a historic garden.

The Blue Grass Trust was founded in 1955 by a spirited group of Lexington citizens who were determined to save the John Wesley Hunt residence (Hopemont) from demolition. Over the years, the Trust helped save many other historic structures, including the Dudley House, Shakertown of Pleasant Hill, the Adam Rankin House, Henry Clay’s Law Office, Belle Brezing’s Row Houses, the Mary Todd Lincoln House, the Stilfield Log House, Benjamin Henry Latrobe’s Pope Villa.

We are excited to share news from Kentucky with you throughout the weekend! Check our posts, stories, and highlights.

Learn more about Decorative Arts Trust Symposia at https://decorativeartstrust.org/symposia/.

@bluegrasstrust #TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Design
#Architecture
#Travel
#Kentucky
#Lexington

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Apr 6

The Decorative Arts Trust is in Kentucky–finally! We have been waiting over three years for this symposium following postponements in both 2020 and 2021. Some Decorative Arts Trust members have been enjoying a Pre-Symposium Tour of Louisville, including the @SpeedArtMuseum's outstanding collection of Kentucky decorative arts.

One of the amazing pieces that curator Scott Erbes showed us was this sumptuous Lexington, KY sideboard, possibly by Porter Clay, 1800-10. Stunning!

Follow us on social this week as we bring you along on our much-anticipated trip to Kentucky!

(Cherry, walnut, probably eastern hophornbeam, probably American holly, other woods, bone, celluloid. Speed Art Museum purchase through the gifts and bequests of generous donors, by exchange, 2012.1.)

@museummegatron
#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Design
#Furniture
#Travel
#Kentucky
#Louisville

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Apr 1

April 30 is the deadline for Research Grant applications! The Decorative Arts Trust awards grants ranging from $500-$1,000 to graduate students working on a Master’s thesis or PhD dissertation in a field related to the decorative arts.

Learn more at https://decorativeartstrust.org/grants-and-scholarships/research-grants/. (Link in bio!)

Pictured here is Elyse D. Gerstenecker, who received a Marie Zimmermann Summer Research Grant in 2019. She traveled to the Newcomb Art Museum at Tulane University, Tulane’s University Archives, the Atlanta History Center, and the Georgia Museum of Art to studyLycett Studios and Newcomb Pottery for her dissertation. Elyse is now the Curator of Historical Collections at Telfair Museums and will be lecturing at our Fall Symposium in Richmond. Read about her research at https://decorativeartstrust.org/southern-ceramics-newcomb-pottery-lycett-studios-post/.

Please share!

@elysegerst
@telfairmuseums
@newcombmuseum
@atlantahistorycenter
@georgiamuseum
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Grants

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Mar 29

Register now for our Fall Symposium in Richmond, VA, on September 22-25, 2022! Richmond has played a prominent role in the events that have shaped American history. Discover important stories of our nation’s founding values and enduring contradictions while exploring this storied city. Founded in 1742, Richmond came to prominence after succeeding Williamsburg as the capital of the Commonwealth of Virginia. This vibrant community on the James River features impressive art and architecture that embody its complex histories. We enjoy significant sites and collections throughout this journey through Virginia’s Fall Line region.

Also consider joining us for the Pre-Symposium Optional Tour in Williamsburg on September 21-22 and the Post-Symposium Optional Tour in Petersburg on September 25.

Registration is limited, and our symposia sell out quickly. Register today at https://decorativeartstrust.org/richmond-2022/, or call 610.627.4970. (Link in bio!)

Pictured: The Rotunda of the Virginia State Capitol, featuring a c. 1788 life-size sculpture of George Washington by Jean-Antoine Houdon. The Capitol was conceived of by Thomas Jefferson and Charles-Louis Clérisseau and was based on the Maison Carrée in Nîmes.

#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtTravel
#Travel
#ArtHistory
#Architecture
#Antiques
#History
#Richmond
#RichmondVA
#Virginia

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Mar 28

Ellie Richards created 𝘚𝘩𝘢𝘥𝘰𝘸 𝘉𝘰𝘹, pictured here, after her experience as the first ever Winterthur-Decorative Arts Trust Maker-Creator Fellow, supported by the Decorative Arts Trust. Read more about Ellie in this new 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post: https://decorativeartstrust.org/ellie-richards-highboy-post/.

@ellieinthewoods
@winterthurmuse
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#BlackHistory
#Art
#History
#Furniture
#Highboy
#Research

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Mar 23

The Decorative Arts Trust is proud to sponsor a lecture by Allie Cade at Winterthur and the Philadelphia Museum of Art's Inlay and Marquetry Conference.

Allie is a PhD candidate in American Civilization at the University of Delaware. Her lecture, 𝘐𝘯𝘭𝘢𝘪𝘥 𝘓𝘶𝘵𝘦𝘴 𝘢𝘯𝘥 𝘚𝘢𝘯𝘥–𝘚𝘩𝘢𝘥𝘦𝘥 𝘍𝘭𝘶𝘵𝘦𝘴: 𝘔𝘢𝘳𝘲𝘶𝘦𝘵𝘳𝘺 𝘏𝘢𝘳𝘱𝘴𝘪𝘤𝘩𝘰𝘳𝘥𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘞𝘰𝘳𝘬𝘴𝘩𝘰𝘱 𝘰𝘧 𝘑𝘢𝘤𝘰𝘣 𝘒𝘪𝘳𝘬𝘮𝘢𝘯, is scheduled for the evening of April 26. Watch a sneak peek here.

The Wonder of Wood: Decorative Inlay and Marquetry in Europe and America, 1600–1900 Conference runs April 26 to 28 and features over 20 presenters, including Trust President Brock Jobe and Trust Governors Alexandra A. Kirtley and Tom Savage. Learn more and register at https://www.winterthur.org/calendar/the-wonder-of-wood-conference/.

@winterthurmuse
@philamuseum
@sigalmusicmuseum
@udamciv
@udelaware
@alexandraakirtley
@tomsavage1775
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#Wood
#Woodworking
#Inlay
#Marquetry
#Furniture
#Harpsichord
#Antiques
#ArtHistory
#Design

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Mar 21

“Among [George] Nelson’s most infamous contributions to corporate design was Herman Miller’s Action Office, a predecessor of the cubicle systems that became ubiquitous in offices during the last decades of the 20th century. Created in collaboration with engineer Robert Propst, the Action Office (and the many cubicle systems that followed it) has been criticized for contributing to the dehumanization of the modern workplace. But the first Action Office was, according to one pamphlet, intended as an expression of ‘practical elegance.’”

Read more about Robert Gordon-Fogelson’s research into George Nelson’s designs for Herman Miller furniture company in this new 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post: https://decorativeartstrust.org/george-nelson-post/. (Link in bio!)

The deadline for 2022 Research Grants is April 30! Learn more at https://decorativeartstrust.org/grants-and-scholarships/research-grants/.

Pictured: Herman Miller Action Office promotional image, n.d., Box 1, George Nelson & Co., Inc. Records, Special Collections Research Center, Syracuse University Libraries.

@robertgofo
@crystalbridgesmuseum
@uscedu
@syracuseulib
@hermanmiller
@howardmillercompanies
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#MidcenturyModern
#Funiture
#GeorgeNelson
#HermanMiller

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