The Decorative Arts Trust

Northern Sicily: At the Crossroads of the Mediterranean

Study Trip Abroad March 15–24 & March 28–April 5, 2023
Optional Extension to Malta March 24–28

Bavaria: Grandeur in Southern Germany

Study Trip Abroad
October 2022

Richmond: Discovering Virginia’s Capital on the James

Fall Symposium
September 2022

Events in the Field Online Calendar

New Resource Features Dozens of
Programs from Around the World

The Decorative Arts Trust is a non-profit membership organization that promotes and fosters the appreciation and study of the decorative arts through programs, partnerships, and grants and scholarships.

About

Calendar

GRANTS AND SCHOLARSHIPS

Dewey Lee Curtis Scholarship

Deadline for Richmond Symposium August 10

IDEAL Internship Grants

Deadline September 9

Curatorial Internship Grant

Deadline September 30

FROM THE MAGAZINE

Palazzo Tursi’s Genoese Maiolica

Asian Exports on the North Shore

Frederick Douglass and American Classicism

IN THE BULLETIN

Tiffany in Latin America

Art and Jazz at MFA Boston

Queer Woodworkers

FEATURED VIDEO

Virtual Dialogue with Isabella Rosner and Melinda Watt

On Thursday, February 10, 2022, Isabella Rosner, PhD Candidate in History at King’s College in London, shared her research on 17th-century Quaker needlework from public and private collections. After her presentation, Isabella was joined in conversation by her mentor and friend, Melinda Watt, Christa C. Mayer Thurman Curator of Textiles at The Art Institute of Chicago.

ON INSTAGRAM

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Jun 29

Sicily is a captivating island that traces back over 3,000 years of history and boasts a unique cultural character shaped by Greek, Roman, Byzantine, Arab, Norman, and Spanish influences.

A few spots remain for our March Study Trip Abroad, Northern Sicily: At the Crossroads of the Mediterranean. See the link in bio to register for Tour 1 on March 15–24, 2023, or Tour 2 on March 28–April 5, 2023.

Following a much-loved 2015 Study Trip Abroad to southern Sicily, we return to explore a rich variety of architecture and art in the north, beginning in breathtaking Taormina, then continuing along the breathtaking coast to Cefalù and Palermo. Art historian Charles Newall, a specialist in Sicilian history and culture, provides insightful commentary for both tours. The palaces, cathedrals, museums, and gardens—as well as the food, wine, and convivial company—are sure to make this trip one you will not soon forget.

Extend your travels with us by registering for Malta: From the Phoenicians to the Knights of St. John on March 24–28. This Optional Extension centers on the magical Valletta, little altered from the plan introduced by the Knights in the 16th century, and extends out to the charming countryside.

Pictured: Monreale in Northern Sicily features an Arab-Norman Duomo renowned for its golden mosaics, bronze doors, and cloister with 228 carved white columns.

#DecorativeArts
#MaterialCulture
#ArtHistory
#ArtTravel
#Travel
#History
#Art
#Architecture
#Design
#Sicily
#Malta
#Italy

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Jun 27

Two drawings from The Metropolitan Museum of Art’s collection of Tiffany Studios watercolors illustrate an understudied but extremely fascinating subject: the firm’s commissions in Latin America, specifically Mexico and Cuba. Earlier this month, an installation opened in The Met’s American Wing that showcases these drawings for the very first time. Read more about this installation in the 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯: https://decorativeartstrust.org/tiffany-latin-america-post. (Link in bio!)

Pictured: Tiffany Studios, Design for the central dome of the Palacio de Bellas Artes in Mexico City, 1909–1912. The Metropolitan Museum of Art, 67.654.59.

@juli_fagua
@metmuseum
@metamericanwing
#DecorativeArts
#MaterialCulture
#TiffanyStudios
#ArtHistory
#Art
#Design
#Glass
#History
#Mexico
#Cuba
#LatinAmerica

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Jun 20

Did you see this wonderful interview with Tiffany Momon, PhD in 𝘈𝘯𝘵𝘪𝘲𝘶𝘦𝘴 & 𝘛𝘩𝘦 𝘈𝘳𝘵𝘴 𝘞𝘦𝘦𝘬𝘭𝘺? Tiffany discusses her research and the path that led her to the Black Craftspeople Digital Archive (BCDA), the Decorative Arts Trust's 2021 Prize for Excellence and Innovation recipient. Read the article here: https://www.antiquesandthearts.com/qa-tiffany-momon-phd/. BCDA Co-Directors Tiffany Momon, PhD and Torren Gatson, PhD are pictured here at the historical marker for the Courtland School in Virginia.

Learn more about the BCDA and the Prize at https://decorativeartstrust.org/bcda-2021-prize-post/, and watch Tiffany and Torren's remarks at the Prize Presentation at https://decorativeartstrust.org/bcda-prize-presentation/.

Prize nominations are due June 30!

@blackcraftspeopleda
@tmomonhp
@t.l.gatson
@antiquesandthearts
@76larube
#TrustPrize
#BlackCraftspeople
#BlackHistory
#ArtHistory
#History
#DecorativeArts
#MaterialCulture

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Jun 13

The Art and Jazz gallery is one of seven newly installed galleries in the Art of the Americas Wing at the Museum of Fine Arts, Boston. Nonie Gadsden interviews Christiana Larracuente about her IDEAL Internship focused on the gallery in this new 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post: https://decorativeartstrust.org/art-jazz-boston-post/. (Link in bio!)

Pictured: Archibald Motley, 𝘊𝘰𝘤𝘬𝘵𝘢𝘪𝘭𝘴, c. 1926. Oil on canvas. The John Axelrod Collection—Frank B. Bemis Fund, Charles H. Bayley Fund, and The Heritage Fund for a Diverse Collection, 2011.1859. © Valerie Gerrard Browne. Photograph © Museum of Fine Arts, Boston.

@noniegadsden
@christianalarracuente
@mfaboston
@americasmfa
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#Jazz
#MFABoston

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Jun 10

Attention graduate students studying German decorative arts: Do you want to go to Bavaria?

The Decorative Arts Trust is offering a scholarship for a graduate student or an emerging professional less than five years from their MA or PhD degree to attend our Bavaria Study Trip Abroad on October 7-15, 2022.

Applicants are invited to send a letter of interest, a curriculum vitae (CV), and a reference letter to thetrust@decorativeartstrust.org by June 30, 2022. Learn more at https://decorativeartstrust.org/grants-and-scholarships/continuing-education-scholarships/.

Preference will be given to applicants whose current research is related to the sites and objects we will experience in southern Germany. Preference will be given to those focusing on the decorative arts, but students, curators, and historians studying architecture, fine art, and landscape are also welcome to apply. See the trip itinerary at https://decorativeartstrust.org/bavaria-2022/.

Please share!

Pictured: Badenburg in the Nymphenburg Palace Park.

#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#ContinuingEducation
#Research
#Scholarship
#ArtTravel
#Travel
#Germany
#Bavaria
#Munich

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Jun 7

Contemporary woodworking craft is experiencing a groundswell of LGBTQIA+ makers contributing their unique perspectives to a traditionally masculine field. Learn about how pieces like Phoebe Kuo’s Jewelry for Furniture (pictured) embody the complexity and precarity of the queer experience in a material form in the new 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post “Against the Grain: The Emergence of Queer Woodworkers”: https://decorativeartstrust.org/queer-woodworkers-post/. (Link in bio.)

@pfebes
@ginasiepel
@stevenKP_
@adamatkinson_art
#DecorativeArts
#MaterialCulture
#Woodworking
#QueerArtists
#Artists
#Art
#PrideMonth

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May 31

Congratulations to the 14 graduate students who received 2022 Research Grants!
-Olivia Armandroff, University of Southern California (DARTS Grant)
-Emily Cox, Yale University (Marie Zimmermann Grant)
-Danielle Ezor, Southern Methodist University
-Grace M. Ford-Dirks, Winterthur Program in American Material Culture, University of Delaware
-Manon Gaudet, Yale University
-Ann Carlton Hewitt, Winterthur Program in American Material Culture, University of Delaware
-Sarah E. Lund, Harvard University
-Katherine Novko, The Cooperstown Graduate Program-SUNY Oneonta
-Riley K. Richards, Winterthur Program in American Material Culture, University of Delaware
-Claire E. Sabitt, Princeton University
-Olivia R. Scott, Parsons School of Design
-Julia Silverman, Harvard University
-Amanda Thompson, Bard Graduate Center
-Ashley E. Williams, Columbia University

Read about their research in 𝘛𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯: https://decorativeartstrust.org/2022-research-grants-post/.

Pictured: Attributed to Jean-François Oeben, Table de femme, c. 1760. Oak, amaranth, ebony, boxwood, lemonwood, holly, violet wood. Musée Cognacq-Jay, Paris. Danielle Ezor is researching an 18th-century toilette table in the French Caribbean.

Learn more about the Decorative Arts Trust’s Research Grants at https://decorativeartstrust.org/grants-and-scholarships/research-grants/. The deadline is April 30 annually.

#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Research

@graceforddirks
manondgaud
@sarahelund
@claire.sabitt
@livrscott
@juliajuliajuliajulia
@ashleyeliza111
@amandola47 @uscedu
@yale
@smudallas
@materialculturewinterthur
harvard
@sunyoneonta
@princeton
@parsonsschoolofdesign
@bardgradcenter
@columbia

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May 31

The Decorative Arts Trust is pleased to announce that Catherine Carlisle is our new Manager of Educational Programs! Catherine’s experiences at the Classical American Homes Preservation Trust and the Museum of Early Southern Decorative Arts will be invaluable to the Trust team and members as we plan future Study Trips Abroad, New York Antiques Weekends, symposia, and colloquia, as well as special programs and virtual events.

To learn more about Catherine, read this post in 𝘛𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯: https://decorativeartstrust.org/catherine-carlisle-post/. (Link in bio!)

Welcome Catherine!

@catcarlisle
#DecorativeArts
#MaterialCulture
#ArtHistory
#ArtTravel
#Travel

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May 27

In January 2022, the Winterthur/University of Delaware Program in Art Conservation (WUDPAC) first-year fellows were tasked with the examination and conservation treatment of 62 photographs from the Tuskegee University Archives (TUA). This community partnership project led by Debra Hess Norris, Chair of the University of Delaware Art Conservation Department and Professor of Photographs Conservation, and Dana R. Chandler, Tuskegee University Archivist, aims to support TUA’s goal of increasing researchers’ accessibility to the TUA collection. These photographic materials not only document the growth of Tuskegee University, a Historically Black College and University, but they are also important records that exemplify Black life, education, excellence, and the history of Alabama and across the Southeast.

In 𝘛𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯, Tammy Hong (pictured in the second image, photo courtesy Evan Krape), the National Endowment of the Humanities WUDPAC First-Year Graduate Fellow, discusses how the historical significance of these archival materials guided her conservation treatment decision-making of a platinum print from the collection and the importance of community centered cultural heritage care: https://decorativeartstrust.org/tuskegee-conservation-post/. (Link in bio!)

@_pentimenti
@ud_artconservation
@tuskegeeuniversity
#WUDPAC
#WUDPAC2024
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtConservation
#Photos
#Archives
#Research

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May 23

Any opportunity to visit a suite of rooms designed by Robert Adam is special, especially as Headfort House is his only extant major commission in Ireland. Built in the 1760s to the designs of Dublin-based architect George Semple for the Taylour family, the four Adam rooms were finished c. 1770 and offer much-needed ornament, color, and lightness to Headfort’s austere gray exterior. A family home until 1949, the dwelling was converted to a school. Detailed analyses of the decoration were undertaken once the ownership of the building was transferred to a preservation trust, and the rooms are slowly returning to their late-18th-century appearance. Headfort appears to retain some of the original Neoclassical fixtures in addition to the woodwork and plaster. The restored color of the green Eating Parlor is a definite showstopper, and the preservation trust will tackle additional rooms as funding allows.

See more trip photos in our stories and our Instagram "Upper Ireland" highlight.

Learn more about Decorative Arts Trust Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/.

#HeadfortHouse
#DecorativeArts
#MaterialCulture
#ArtHistory
#Architecture
#Design
#ArtTravel
#Travel
#Ireland
#CountyMeath
#Kells

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May 20

$We're enjoying Tour 2 of the The Great Houses of Upper Ireland: The North & Border Counties Study Trip Abroad! One of our favorite visits was Castle Ward in County Down. Like the Roman god Janus, the National Trust’s Castle Ward has two faces. Built 1761-66 for Anne and Bernard Ward, the front façade was rendered in the Palladian style, and the rear elevation in the Gothick mode popularized by Horace Walpole at Strawberry Hill. The synthesis of two prevailing mid-18th-century tastes was carried through the interiors as well. Architectural historians long attributed this bifurcation to the Wards’ fractious marriage, which later ended in a separation, but the split is now interpreted as an intentional illustration of the couple’s awareness of contemporary styles. An 1830s revamp complicates our perspective of the house during the Wards’ occupancy, but a great deal of original material remains. Castle Ward has experienced a pandemic-induced renaissance at the hands of collections and house manager Neil Watt and his partner Kris Reid, who have dedicated the past two years to injecting new life into the house while residing in an upstairs apartment. See more trip photos in our stories and our Instagram "Upper Ireland" highlight. Learn more about Decorative Arts Trust Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/. @ntcastleward #DecorativeArts #MaterialCulture #ArtHistory #Architecture #Design #ArtTravel #Travel #CountyDown #Ireland #Castle$

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May 16

How far we've come! On May 16, 1977, the Decorative Arts Trust was chartered with Dewey Lee Curtis at the helm. Over the years we have added international programs and a robust Emerging Scholars Program with grants and scholarships.

We are especially proud of our relatively new Prize for Excellence and Innovation, which awarded $100,000 to Craft in America in 2020 and the Black Craftspeople Digital Archive in 2021. Nominations for the 2022 Prize are due June 30: https://decorativeartstrust.org/prize-excellence-and-innovation/. (Link in bio!)

We look forward to continuing to work with a diverse group of excellent partners, scholars, and enthusiasts to share the stories behind fascinating objects!

Pictured: Craft in America's Craft Video Dictionary recording about wood inlay with James "Jim" and Jack Ipekjian, https://www.youtube.com/watch?v=OCBMiO8FI2g. Learn more at https://www.craftinamerica.org/publication/craft-video-dictionary.

@craftinamerica
@blackcraftspeopleda
#TrustPrize
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Antiques
#Museum
#Curator

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May 13

Congratulations to @EricaPLome, PhD for her @AntiquesAndTheArts Weekly feature by @ZGBurnett! Read the article in print or at https://www.antiquesandthearts.com/qa-erica-lome-phd/.

Erica, an assistant curator at @HistoricNewEngland, recently presented the John A.H. Sweeney Emerging Scholar Lecture at the Decorative Arts Trust's Spring 2022 Symposium in Kentucky. She also shared a fascinating Object Share video with Trust members, highlighting HNE's new exhibition about the history of tattoos and related ephemera.

Erica was the Peggy N. Gerry curatorial associate at the @ConcordMuseum, a position sponsored by the Decorative Arts Trust. Read more about her experience helping to reimagine their "April 19, 1775" galleries in this article from 𝘛𝘩𝘦 𝘔𝘢𝘨𝘢𝘻𝘪𝘯𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵: https://decorativeartstrust.org/concord-museum-article/. Enjoy Erica's virtual tour of this gallery space at https://youtu.be/s-OqcRUdAUY.

Way to go, Erica!

@udamciv
@bardgradcenter
@winterthurmuse
@nemoursestate
@nyhistory
@madmuseum
@americanswedish
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Furniture
#Curator
#Research

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May 9

Set in a wooded park outside of the town of Enniskillen, we encountered Florence Court, among the finest country houses in Northern Ireland, built in the 1740s with arcaded hyphens and pavilions added in 1771, the former by John Cole, Lord Mount Florence, and the latter by his son, 1st Earl of Enniskillen.

A major fire gutted the central block, but few furnishings were lost, and the important mid-18th-century plasterwork in the dining room was saved. Loaded on the sideboards in that space today is an excellent collection of silver. The house contains splendid examples of 18th-century Irish furniture, including a masterful mahogany bed and a marquetry desk and bookcase associated with a German immigrant cabinetmaker, and we were fortunate to have furniture conservator Fergus Purdy in tow to share the work he has tackled at both Florence Court and Castle Coole, including the front door, currently underway.

Learn more about our Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/. See more photos in our stories!

@ntfermanagh
@nationaltrust
#TravelsWithTheTrust
#ShareYourShell
#DecorativeArts
#MaterialCulture
#ArtHistory
#Furniture
#InteriorDesign
#Architecture
#ArtTravel
#Travel
#FlorenceCourt
#Enniskillen
#NorthernIreland

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May 5

Our twice-postponed Study Trip Abroad to Upper Ireland is finally underway! One of our visits was Mount Stewart east of Belfast, welcomed by Peter and Lady Rose Lauritzen. The grand, early-19th-century house features wonderful interiors and a spectacular garden, but a trip to the nearby Temple of the Winds was a great treat. Designed in 1783 by James “Athenian” Stuart, this banqueting pavilion was modeled off a Classical precedent in Athens. Staffed by servants manning a basement kitchen and accessing the stores of a wine cellar and ice house via a tunnel hidden in the hillside, the retreat offered guests fabulous views over Strangford Lough and the Mourne Mountains. The Temple features a spiral staircase of iron and bronze, plasterwork by William Fitzgerald, and an extravagant inlaid floor matching the ceiling by John Ferguson. A restoration and redecorating scheme in the 1960s by the renowned designer John Fowler introduced the color and inappropriate chandelier found today. Unfortunately, none of the original furnishings are extant.

Learn more about the Decorative Arts Trust's Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/.

@ntmountstewart
@nationaltrust
#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#InteriorDesign
#Architecture
#ArtTravel
#Travel
#MountStewart
#Newtownards
#Belfast
#CountyDown
#NorthernIreland

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Apr 27

Congratulations to Allie Cade for presenting a fantastic lecture at The Wonder of Wood: Decorative Inlay and Marquetry in Europe and America, 1600–1900 Conference last night!

The Decorative Arts Trust was proud to sponsor Allie's lecture, 𝘐𝘯𝘭𝘢𝘪𝘥 𝘓𝘶𝘵𝘦𝘴 𝘢𝘯𝘥 𝘚𝘢𝘯𝘥–𝘚𝘩𝘢𝘥𝘦𝘥 𝘍𝘭𝘶𝘵𝘦𝘴: 𝘔𝘢𝘳𝘲𝘶𝘦𝘵𝘳𝘺 𝘏𝘢𝘳𝘱𝘴𝘪𝘤𝘩𝘰𝘳𝘥𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘞𝘰𝘳𝘬𝘴𝘩𝘰𝘱 𝘰𝘧 𝘑𝘢𝘤𝘰𝘣 𝘒𝘪𝘳𝘬𝘮𝘢𝘯. Allie is a PhD candidate in American Civilization at the University of Delaware and is pictured here with the Decorative Arts Trust's Executive Director Matthew A. Thurlow and the Philadelphia Museum of Art's Montgomery-Garvan Curator of American Decorative Arts Alexandra A. Kirtley.

Learn more about the conference at https://www.winterthur.org/calendar/the-wonder-of-wood-conference/.

@winterthurmuse
@philamuseum
@sigalmusicmuseum
@udamciv
@udelaware
@alexandraakirtley
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#Wood
#Woodworking
#Inlay
#Marquetry
#Furniture
#Harpsichord
#Antiques
#ArtHistory
#Design

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Apr 25

“All sculptors worked in all media; no one material seemed to have precedence over another. Moreover, the family worked in collaboration—even, as the show points out, across generations—and often independently of commissions, producing works for an open market.”

This is one of the ways Elizabeth Saari Browne, PhD, describes the Adam dynasty of Lorrainaise sculptors, of which Clodion (Claude Michel) was a member through his mother, Anne Adam. Elizabeth received a Decorative Arts Trust Research Grant to visit Sèvres, Musée des Beaux-Arts de Nancy, and Château de Lunéville for her dissertation in the History, Theory, and Criticism of Art and Architecture program at MIT.

Read more in this post in 𝘛𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯: https://decorativeartstrust.org/clodion-sculptor-post/. (Link in bio!)

Pictured: Claude Michel, called Clodion, 𝘓𝘢 𝘗𝘭𝘦𝘶𝘳𝘦𝘶𝘴𝘦, 1766. Terracotta. Musée du Louvre, RF 1827.

Research Grant applications are due April 30: https://decorativeartstrust.org/grants-and-scholarships/research-grants/.

@esaarib
@cooperhewitt
@mithtc
@museebeauxartsnancy
@chateauluneville
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Sculpture
#Sculptor
#Sevres
#Clodion

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Apr 10

Meet Ann Glasscock, PhD, who is attending the Decorative Arts Trust's Spring Symposium in Lexington, Kentucky, as a Dewey Lee Curtis Scholarship recipient. Ann is the associate curator at the Taft Museum of Art and has worked for the Chazen Museum of Art, the Chipstone Foundation, and the Philadelphia Museum of Art. She also received a Decorative Arts Trust Research Grant for her investigation into craftsman and designer Hudson Roysher’s ecclesiastical silver. Ann is pictured at Hopemont.

Learn more about our Symposia at https://decorativeartstrust.org/symposia/.

Scholarship applications for our Richmond Symposium on September 22-25 are due August 10. Learn more at https://decorativeartstrust.org/grants-and-scholarships/continuing-education-scholarships/.

@taftmuseum
@chazenartuw
@thechipstonefoundation
@philamuseum
@uwmadgsed
@bluegrasstrust
#Hopemont
#TravelsWithTheTrust
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Design
#Architecture
#Travel
#Kentucky
#Lexington

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