The Decorative Arts Trust

Emerging Scholars Colloquium

In Person or Virtual
Followed by a Benefit Brunch
January 22, 2023

Virtual Tour of Hunter House in Newport, RI

Available Now
Register to Watch

New York Antiques Weekend

Special Event
January 2023

Northern Sicily: Crossroads of the Mediterranean

Study Trip Abroad
March 2023

The Decorative Arts Trust is a non-profit membership organization that promotes and fosters the appreciation and study of the decorative arts through programs, partnerships, and grants and scholarships.

About

Calendar

GRANTS AND SCHOLARSHIPS

Dewey Lee Curtis Symposium Scholarships

Deadline March 8 for
Spring 2023 Symposium in Philadelphia

Research Grants

Deadline April 30

Prize for Excellence and Innovation

Deadline June 30

Events in the Field Online Calendar

Find in-person and virtual lectures, conferences, symposia, and panel discussions from around the globe on the Decorative Arts Trust’s Events in the Field calendar.

FROM THE MAGAZINE

Latrobe's Pope Villa in Lexington

Castle Ward in Northern Ireland

Eyre Hall on Virginia's Eastern Shore

FEATURED VIDEO

Made Along the James: The Decorative Arts of Eastern Virginia

Ronald L. Hurst, Senior Vice President for Museums, Preservation & Historic Resources and The Carlisle H. Humelsine Chief Curator at the Colonial Williamsburg Foundation, presented this fascinating lecture at the Decorative Arts Trust’s Fall 2022 Symposium in Richmond, VA.

IN THE BULLETIN

British Dandies

Researching Lace

Art and Jazz at MFA Boston

ON INSTAGRAM

Nov 29

On this #GivingTuesday, the Decorative Arts Trust would like to say thank you to all of our members, donors, and those who promote our mission and activities through social shares and word-of-mouth.

In 2022, over 50 individuals and institutions have received grants and scholarships from us, thanks to your generosity and efforts!

See some of these remarkable recipients in our comments, and learn more about the #TrustEmergingScholars Program at https://decorativeartstrust.org/grants-and-scholarships/ (link in bio).

Nov 22

The #AttinghamSummerSchool boasts a uniquely ambitious itinerary: 29 historic properties, museums, and gardens; 18 formal lectures; numerous in-situ guided tours; and countless peer-to-peer discussions, all in 17 days. Devon Zimmerman from the @OgunquitMuseum of American Art attended the renowned program this year, thanks to a Decorative Arts Trust Continuing Education Scholarship.

Devon describes what he learned during what he calls “once-in-a-lifetime opportunity I had hoped it would be” in the 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post linked in our bio.

Pictured: Christopher Ridgeway discusses the follies and mausoleum at @Castle_Howard.

@theattinghamtrust
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#Architecture

Nov 21

Congratulations to @TheTrustees of Reservations for being named the Decorative Arts Trust Curatorial Internship Grant partner for 2023-25!

The two-year internship will focus on the Colonel John Ashley House in Sheffield, MA. The house’s importance primarily derives from a connection with Mum Bett, an enslaved woman who sued Ashley for her freedom along with an enslaved man named Brom. The intern will lead an in-depth analysis of the objects contained within the Ashley House with the aim to create easy access to all records through the Trustees’ new online collections interface. The intern will also develop a furnishing plan for the Ashley House that synthesizes a refined understanding of the contents and the interiors in which they are displayed.

Read more in the 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post linked in our bio.

Pictured: Susan Ridley Sedgwick, 𝘌𝘭𝘪𝘻𝘢𝘣𝘦𝘵𝘩 𝘍𝘳𝘦𝘦𝘮𝘢𝘯 (𝘔𝘶𝘮 𝘉𝘦𝘵𝘵) detail, c. 1812. Watercolor on ivory. Massachusetts Historical Society, Boston.

#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#HistoricHouse
#AshleyHouse
#MumBett
#Curator
#Internship

Nov 17

See link in bio to register now for our pay-what-you-can Virtual Tour of Hunter House in Newport, RI!

A rare surviving waterfront home from Newport’s colonial era, Hunter House was the first property rescued by The Preservation Society of Newport County in 1945. After a 75-year -long run of celebrating Newport’s 18th-century artisan community, the Preservation Society recently debuted a new tour of this iconic Rhode Island house museum. Supported in part by a Dean F. Failey Grant from the Decorative Arts Trust, the updated visitor experience provides an important model of reinterpreting a space and objects to include residents and narratives that had been overlooked in the past.

For the Trust’s virtual tour, Preservation Society Director of Museum Affairs and Chief Curator Leslie Jones introduces Research Fellow MaryKate Smolenski, who was integral to the research, planning, and script-writing of this new tour. MaryKate guides us on a fascinating journey through the experiences of the house's owners and the enslaved people who worked there. Exquisite objects, including Goddard and Townsend furniture and Gilbert Stuart paintings, grace the rooms, all with stories relating to the house's residents and Newport's history.

This inviting and informative tour is not to be missed!

Pictured: Southeast Sitting Room at Hunter House, 2022. Photo courtesy of Andrea Hansen.
John Goddard, Console table, 1755–70. Mahogany, marble. Hunter House.
Hunter House (c. 1748), Newport, RI. Property of The Preservation Society of Newport County. Photo courtesy of Gavin Ashworth Photography.

@Newport_Mansions
@museummarykate
#TrustVirtual
#VirtualTour
#DecorativeArts
#MaterialCulture
#HistoricHouseMuseum
#NewportRI
#RhodeIsland
#History
#Antiques
#Furniture

Nov 15

Register now for the 2023 Emerging Scholars Colloquium at the Park Avenue Armory in NYC! See the link in bio for details.

On Sunday, January 22, from 9:00 am–12:00 pm the Decorative Arts Trust hosts our 7th Annual Colloquium featuring young scholars in the decorative arts field. This event is sponsored by Classical American Homes Preservation Trust (CAHPT) and Mr. & Mrs. Donald B. Ayres III. Speakers include Nina Blomfield from the Cranbrook Center for Collections and Research; Christina De León from Bard Graduate Center and Cooper Hewitt, Smithsonian Design Museum; Susan Eberhard from the University of California, Berkeley; Claire E. Sabitt from Princeton University; and Olivia R. Scott from Parsons School of Design. The registration fee is $25 for in-person or $25 for virtual livestream.

Extend your time at the Armory with a festive brunch in celebration of our Emerging Scholars Program with the opportunity to toast our speakers and meet fellow decorative arts enthusiasts. The registration fee is $125, and all proceeds benefit our Emerging Scholars Program.

Space is limited, and these events will fill quickly. Visit the link in our bio for more information and to register.

Pictured: Possibly embroidered by Mary Pierpont or Mary Russell, Hooker-Pierpont-Russell-Talcott Family Apron (detail), 1730–1740, Embroidery, silk thread, metallic thread, plain-woven silk. Gift of Rebecca and Cornelia Butler, Connecticut Historical Society, 1859.9.0.

@classicalamericanhomes
@neenyneenyneeny
@xtina_de_leon
@s.eberhard
@claire.sabitt
@livrscott
#TrustEmergingScholars
#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Research
#Lectures
#NYC
#NewYork

Nov 14

Registration is now open for our 2023 New York Antiques Weekend program!

This program sells out quickly every year, so we encourage you to visit the link in bio to register today.

On Friday, January 20, we explore New York’s Museum Mile. Curator Adrienne Spinozzi shows us highlights from the 𝘏𝘦𝘢𝘳 𝘔𝘦 𝘕𝘰𝘸: 𝘛𝘩𝘦 𝘉𝘭𝘢𝘤𝘬 𝘗𝘰𝘵𝘵𝘦𝘳𝘴 𝘰𝘧 𝘖𝘭𝘥 𝘌𝘥𝘨𝘦𝘧𝘪𝘦𝘭𝘥, 𝘚𝘰𝘶𝘵𝘩 𝘊𝘢𝘳𝘰𝘭𝘪𝘯𝘢 exhibition at The Metropolitan Museum of Art. After a convivial lunch, we experience the 𝘏𝘦𝘤𝘵𝘰𝘳 𝘎𝘶𝘪𝘮𝘢𝘳𝘥: 𝘏𝘰𝘸 𝘗𝘢𝘳𝘪𝘴 𝘎𝘰𝘵 𝘐𝘵𝘴 𝘊𝘶𝘳𝘷𝘦𝘴 exhibition at the Cooper Hewitt, Smithsonian Design Museum with Senior Curator Yao-Fen You.

On Saturday, January 21, participants are treated to private tours of the 68th annual Winter Show at the Park Avenue Armory, led by our knowledgeable friends in the trade and in advance of public hours. Following a congenial lunch in the Amory’s Board of Officers Room, we are privileged to tour Barrie and Deedee Wigmore's collection of superlative examples of American Aesthetic Movement and Gilded Age decorative arts in their residence in the Dakota.

See the link in bio to learn more and register!

Also, save the date for the January 22 Emerging Scholars Colloquium and Benefit Brunch. Registration will open soon!

Pictured:
Unrecorded potter, probably Thomas M. Chandler, Jr., Phoenix Stone Ware Factory, Watercooler (detail), c. 1840, Old Edgefield District, SC. Alkaline-glazed stoneware with iron and kaolin slip. Collection of the High Museum of Art, 1996.132. Photo by Michael McKelvey / Courtesy of the High Museum of Art.
Produced by Val d'Osne Foundry, Saint-Dizier, Métro Entrance Medallion, c. 1900. Painted cast iron. The Collection of Richard H. Driehaus, Chicago, 20102.
Decorative Arts Trust members enjoy a private tour of The Winter Show in 2020.

@metmuseum
@cooperhewitt
@thewintershownyc
#TravelsWithTheTrust
#TheWinterShow
#NYCWinterShow
#NYCAntiquesWeek
#NewYorkAntiquesWeek
#DecorativeArts
#MaterialCulture
#ArtHistory
#ArtTravel
#Antiques
#NYC
#NewYork

Nov 10

Going to the 2022 Delaware Antiques Show? Don’t miss the young scholar lectures by Katrina Reynolds and Ethan Snyder on Saturday afternoon!

Katrina Reynolds discusses a unique cape-like collar in Winterthur’s collection in her talk 𝘙𝘦𝘥𝘪𝘴𝘤𝘰𝘷𝘦𝘳𝘪𝘯𝘨 𝘵𝘩𝘦 𝘍𝘰𝘳𝘮𝘶𝘭𝘢: 𝘐𝘯𝘵𝘦𝘳𝘱𝘳𝘦𝘵𝘪𝘯𝘨 𝘢 𝘚𝘵𝘦𝘯𝘤𝘪𝘭𝘦𝘥 𝘗𝘦𝘭𝘦𝘳𝘪𝘯𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘞𝘪𝘯𝘵𝘦𝘳𝘵𝘩𝘶𝘳 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯.

Ethan Snyder’s lecture, 𝘈 𝘓𝘰𝘯𝘨 𝘚𝘱𝘢𝘤𝘦 𝘙𝘢𝘤𝘦: 𝘊𝘰𝘯𝘵𝘦𝘹𝘵𝘶𝘢𝘭𝘪𝘻𝘪𝘯𝘨 𝘌𝘢𝘳𝘭𝘺 (𝘏𝘶𝘮𝘢𝘯) 𝘍𝘭𝘪𝘨𝘩𝘵 𝘪𝘯 18𝘵𝘩-𝘊𝘦𝘯𝘵𝘶𝘳𝘺 𝘔𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘊𝘶𝘭𝘵𝘶𝘳𝘦, explores a plate that depicts Vincenzo Lunardi’s ballooning.

The Decorative Arts Trust is proud to sponsor these Young Scholars Lectures! See the link in bio to read more in 𝘛𝘩𝘦 𝘋𝘦𝘤𝘰𝘳𝘢𝘵𝘪𝘷𝘦 𝘈𝘳𝘵𝘴 𝘛𝘳𝘶𝘴𝘵 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯.

Pictured: Plate, 1783-1790, Lambeth, England. Earthenware, tin glaze. Winterthur Museum, 1956.0038.037. Pelerine (front view), 1820–50. Painted (freehand, theorem work) silk and embroidered cotton. Winterthur Museum, Bequest of Henry Francis du Pont, 1958.2962.

@winterthurmuse
@materialdelights
#EthanSnyder
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#Textiles
#Ceramics
#DEAntiquesShow
#DelawareAntiquesShow

Nov 1

Now online: Richmond Symposium lectures!

We had the privilege of capturing videos of all six presentations at this year’s Fall Symposium, including talks by Calder Loth, Ronald L. Hurst, Christina K. Vida, Rachel Asbury Cole, Robert Hunter (pictured), and Elyse Gerstenecker.

See the link in bio to watch.

@VaDHR_SHPO
@colonialwmsburg
@christinakvida
@thevalentinerva
@roberthunterceramics
@elysegerst
@telfairmuseums
#TravelsWithTheTrust
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#History
#RichmondVA
#RVA

Oct 27

Congratulations to the recipients of the 2023 IDEAL Internship Grants:
- DAR Museum in Washington, D.C.
- Hermann-Grima + Gallier Historic Houses in New Orleans, LA
- High Museum of Art in Atlanta, GA
- North Bennet Street School in Boston, MA

See the link in our bio for a 𝘉𝘶𝘭𝘭𝘦𝘵𝘪𝘯 post with more details about the IDEAL Internship Initiative and these institutions’ plans.

Pictured:
The DAR Museum's Louisiana room, also called the Louisiana Gallery, is arranged as an exhibition displaying art and objects that reflect the cultural history of the state. Photo courtesy of the DAR Museum.
North Bennet Street School's 2022 Making Matters exhibition featured a deconstructed piano, hand carved brackets, jewelers’ tools, and finely bound books.

@darmuseum
@hgrimagallier1831
@highmuseumofart
@nbssboston
#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Art
#History
#Museum
#Internship
#Grants

Oct 23

The Neues Schloss in the charming town of Bayreuth was the home of Margrave Friedrich of Brandenburg- Bayreuthbuilt and Margravine Wilhelmine, the favorite sister of Frederick the Great and an influential 18th-century tastemaker. Our visit included tours of “her side” and “his side” as well as installations of Bayreuth faience, miniatures, and paintings. The southern wing features a stunning Bayreuth Rococo room where gilded palm trees complement walnut paneling.

Be sure to see our "Bavaria" story highlight for more photos from this trip! View the calendar of upcoming Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/.

#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Porcelain
#Germany
#Bavaria
#Bayreuth #shareyourshell

Oct 19

The historic Nymphenburg Porcelain Manufactory (@porzellanmanufakturnymphenburg) is not usually open to the public, but we had the special treat of visiting during our trip to Bavaria! CEO Anders Thomas guided us through the Manufactory’s fascinating history as we as current projects.

The Manufactory has produced high-quality porcelain since its establishment in 1747 and is located in one of Schloss Nymphenburg’s Cavalier Houses, the two-story, hipped roof buildings commissioned by Karl Albrecht in 1734. After Maximilian III Joseph, Prince-Elector of Bavaria’s 1745 ascension, he commanded the establishment of manufacturing companies in order to bail out the state finances. The supremely talented Rococo porcelain sculptor Franz Anton Bustelli came to work at the manufactory in 1754. The Manufactory received its first commission from the Bavarian court in 1755, and the first success in painting the porcelain in color came in 1756. Swipe to see some of the Manufactory’s Commedia dell’arte figures we saw in the Bavarian National Museum.

Schloss Nymphenburg, one of Europe’s most beautiful palaces, grew up around an Italianate villa built to a design by Agostino Barelli in 1663–64 by Elector Ferdinand Maria for the Electress Henriette Adelaide of Savoy. The palace was dedicated to the pastoral goddess Flora and her nymphs, hence the name.

Click on our stories and "Bavaria" story highlight for more photos! Interested in joining us on our next Study Trip Abroad? Visit https://decorativeartstrust.org/study-trips-abroad/.

#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Porcelain
#Germany
#Bavaria
#Nymphenburg

Oct 16

The stately Schloss Weikersheim near Würzburg, Germany, is set against the gentle rolling landscape of Hohenlohe. The counts of Hohenlohe-Weikersheim built their grand residence around 1600, expanding frequently in the years which followed. The sumptuous Knights’ Hall, decorated around 1600 with beautifully crafted coffered ceiling, canvas hunting scenes, and life-sized bas-relief sculptures, is a supreme specimen of Renaissance architecture in southern Germany.

Our optional extension to Würzburg and Stuttgart has been amazing! See photos in our stories, and check out the "Bavaria" story highlight to see more from our trip.

#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Architecture
#Germany
#Bavaria
#Wurzburg
#Weikersheim

Oct 13

Oct 9

Our exploration of Southern Germany began with striking displays of exquisite art, architecture, and design. One of the highlights was the complex at Schloss Schleißheim, which incorporates three additional palaces surrounded by canals and gardens developed in the 17th and 18th centuries.

Schloss Lustheim is a small Baroque palace in the style of the Italian casino buildings popular since the early 16th century. The palace contains the Ernst Schneider Foundation’s Collection of Meissen Porcelain, a branch of the Bavarian National Museum that was installed in 1971. Dr. Ernst Schneider donated this world-famous collection of early Meissen porcelain, considered as comprehensive and important as the collection in the Dresden Zwinger, which the Trust visited in 2015. Over 2,000 exquisite items are displayed, fulfilling the dream of a “porcelain palace” that was never realized in the lifetime of Augustus the Strong. The collection features the products of the Meissen porcelain manufactory from its establishment in 1710 until the Seven Years’ War, covering tableware and figures from the Böttger period, the famous chinoiseries of the porcelain painter Johann Gregorius Höroldt, the “Indian” decoration particularly admired by Augustus the Strong, and masterpieces by the modeler Johann Joachim Kaendler. The legendary swan service of Count Heinrich von Brühl is a particular highlight.

Follow along with our Bavarian adventures in our stories and see our "Bavaria" story highlight. Learn more about Decorative Arts Trust Study Trips Abroad at https://decorativeartstrust.org/study-trips-abroad/.

#TravelsWithTheTrust
#DecorativeArts
#MaterialCulture
#ArtHistory
#Meissen
#Porcelain
#Germany
#Bavaria
#Schleißheim

Oct 6

Congratulations to @CooperHewitt, Smithsonian Design Museum, the 2022 recipient of the Decorative Arts Trust Prize for Excellence and Innovation!

The $100,000 award will be used for its upcoming exhibition, 𝘈 𝘋𝘢𝘳𝘬, 𝘈 𝘓𝘪𝘨𝘩𝘵, 𝘈 𝘉𝘳𝘪𝘨𝘩𝘵: 𝘛𝘩𝘦 𝘋𝘦𝘴𝘪𝘨𝘯𝘴 𝘰𝘧 𝘋𝘰𝘳𝘰𝘵𝘩𝘺 𝘓𝘪𝘦𝘣𝘦𝘴. On view from July 7, 2023, through February 4, 2024, this exhibition will be the first monographic exhibition of Liebes’s work in over 50 years.

𝘈 𝘋𝘢𝘳𝘬, 𝘈 𝘓𝘪𝘨𝘩𝘵, 𝘈 𝘉𝘳𝘪𝘨𝘩𝘵 is being organized by Cooper Hewitt’s Associate Curator and Acting Head of Textiles, Susan Brown, and Alexa Griffith Winton, Manager of Content and Curriculum, in collaboration with the Archives of American Art.

See the link in bio to read more about Dorothy Liebes, Cooper Hewitt, and the Prize.

Pictured:
Dorothy Liebes’s studio, New York City, c. 1957; Dorothy Liebes Papers, Archives of American Art, Smithsonian Institution, Washington, D.C.
Sample (USA), Designed by Dorothy Wright Liebes. Cotton, viscose rayon, silk, coated paper, cellophane-laminated aluminum yarn, cellulose acetate-laminated aluminum yarn. Gift of Mrs. Morris D.C. Crawford, Cooper Hewitt, Smithsonian Design Museum, 1955-71-7. Photo by Matt Flynn © Smithsonian Institution.

@susanbtextiles
@agwinton
#TrustPrize
#DecorativeArts
#MaterialCulture
#ArtHistory
#Textiles
#Design
#DorothyLiebes

Oct 5

What can you learn from a cyphering book? Lots, according to Mary Orms!

Mary was a @HistoricDeerfield Summer Fellow, thanks to a Decorative Arts Trust continuing education scholarship. See link in bio to learn more about Mary’s summer research about cyphering books, manuscripts created by students for the purpose of learning arithmetic, algebra, navigation, geometry, or a number of other mathematical subjects. Although these works are characterized by conformity and consistency, they are also notably personal. American cyphering books from the period in between the Revolution and the Civil War offer insight into the construction of American national identity by uncovering the values and capabilities which adults sought to instill in the younger generation.

Pictured: Historic Deerfield curator Daniel Sousa and Mary Orms study an English canterbury. (1810-1815. Mahogany, white oak, sylvestris pine, baldcypress, white pine; base metal: brass. Historic Deerfield, Gift of Mark S. Cluett, HD 2001.29.8.)

#TrustEmergingScholars
#DecorativeArts
#MaterialCulture
#ArtHistory
#Research

Oct 3

It's time to apply for a Failey Grant!

October 31 is the deadline to submit applications for research, exhibition, publication, and object-based conservation grants through the Dean F. Failey Fund, named in honor of the Decorative Arts Trust’s late Governor. See the link in bio for information!

Pictured is a 1750-60 Newport, RI, clock by John Goddard featured in the recently reopened Hunter House. The Preservation Society of Newport County received a Dean F. Failey Grant to partially fund research for a new guided tour that highlights never-before-told Hunter House stories.

Please share!

#DecorativeArts
#MaterialCulture
#ArtHistory
#Grants

Sep 29

In anticipation of the Decorative Arts Trust’s October Study Trip Abroad to Bavaria, Ulrich Leben, PhD, provides a virtual introduction to the major sites we will visit in Southern Germany. See the link in bio to watch!

Dr. Leben takes us on a virtual journey through the stunning architecture and interiors of Munich, Augsburg, Bamberg, Nuremberg, Bayreuth, Würzburg, and Stuttgart. His highlights of the sites, designs, and collections are sure to interest those members preparing for the October trip as well as decorative arts enthusiasts learning about this region from home.

Ulrich Leben has published many books and articles on furniture and decorative arts in Europe, with a focus on France and Germany. Dr. Leben is the curator of the collections of historic furniture of the residence of the German Ambassador in Paris at Hôtel Beauharnais. He worked for many years as associate curator for the Rothschild Collection at Waddesdon Manor, UK, and he has been a guest professor in the Decorative Arts, Design History, Material Culture department at Bard Graduate Center and in the History of Design and Curatorial Studies department at The New School's Parsons School of Design.

We are pleased to present this lecture with support provided by the James Sanders Educational Programs Fund, which helps the Decorative Arts Trust achieve its mission to promote and foster the appreciation of the decorative arts.

Pictured: Audience Room of the Linderhof Palace in Ettal, Germany.

@delavreince
@auswaertigesamt
@waddesdonmanor_nt
@bardgradcenter
@parsonsschoolofdesign
#DecorativeArts
#MaterialCulture
#ArtHistory
#Architecture
#Design
#Germany
#Bavaria

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