BY RILEY KATE RICHARDS
Christopher Alexander Haun produced uniquely decorated utilitarian earthenware pottery until his death in 1861 and is currently a semi-canonical figure in the study of Tennessee decorative arts.
BY SUSAN EBERHARD
In the history of English Restoration silver, the “Chinese taste” is understood as a type of Chinoiserie—that is, an idealized imagery of China created by Europeans—in vogue from about 1675 to 1720.
BY CLAIRE SABITT
Although scissors as tools appear at least as early as 2,000 BCE, the first evidence for luxury scissors dates to the late 15th century. By the 19th century, decorative scissors became more widespread, especially in England and France.
BY JESSIE DEAN
The concepts of material, function, and meaning guide a thorough and nuanced review of the world of decorative arts in ‘Global Objects: Toward a Connected Art History’ by Edward S. Cooke, Jr.
REVIEW: 2022 SPECIAL PROGRAM
The Metropolitan Museum of Art’s landmark exhibition “Hear Me Now: The Black Potters of Old Edgefield, South Carolina” focuses on the work of African American potters in the 19th-century American South, in dialogue with contemporary artistic responses.
BY MARGI HOFER AND ALLISON ROBINSON
The New-York Historical Society has organized the first exhibition devoted to the life and work of Thomas W. Commeraw, a Manhattan stoneware potter whose racial identity and remarkable story were long lost to history.
BY TRAVIS MACDONALD
The long, slow restoration of Poplar Forest has been an ambitious undertaking, and in 2023 we celebrate the completion of that 32-year journey.
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