BY JESSIE DEAN
The concepts of material, function, and meaning guide a thorough and nuanced review of the world of decorative arts in ‘Global Objects: Toward a Connected Art History’ by Edward S. Cooke, Jr.
REVIEW: 2022 SPECIAL PROGRAM
The Metropolitan Museum of Art’s landmark exhibition “Hear Me Now: The Black Potters of Old Edgefield, South Carolina” focuses on the work of African American potters in the 19th-century American South, in dialogue with contemporary artistic responses.
BY MARGI HOFER AND ALLISON ROBINSON
The New-York Historical Society has organized the first exhibition devoted to the life and work of Thomas W. Commeraw, a Manhattan stoneware potter whose racial identity and remarkable story were long lost to history.
BY TRAVIS MACDONALD
The long, slow restoration of Poplar Forest has been an ambitious undertaking, and in 2023 we celebrate the completion of that 32-year journey.
BY NINA BLOMFIELD
The Decorative Arts Trust Marie Zimmermann Resident Collections Fellowship has been an incredibly valuable opportunity to grow as a scholar and museum professional.
BY LESLIE B. JONES, NICOLE J. WILLIAMS, AND MARYKATE SMOLENSKI
The Preservation Society of Newport County reopened its landmark colonial property Hunter House with a new guide-led tour that highlights the experiences of the home’s many occupants, including generations of prosperous merchants and enslaved and free people of African descent.
BY CAITLIN MEEHYE BEACH
A new book interrogates how a wide range of objects—from antislavery medallions to statues of bondspeople bearing broken chains—gave visual form to narratives about abolition in the 18th and 19th centuries.
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