BY LAURA C. JENKINS
From the early 1880s onward, the movement of French 18th-century decorative arts from Europe to New York coincided with a growing fashion among the wealthy of that city for rooms in French historical styles.
BY ALYSE MULLER
A Decorative Arts Trust Research Grant provided the opportunity to conduct essential research at the Sèvres manufactory archive in Paris. My dissertation reconsiders the marine genre within a variety of mediums to explore the nexus of maritime commerce, political aspirations, iconography, and aesthetics.
BY OLIVIA ARMANDROFF
Located in Honolulu’s Kāhala neighborhood, in close proximity to the shoreline, Jean and Zohmah Charlot’s house has a modest footprint and understated design that speak to a different era.
BY BROCK JOBE
after ten years at the helm, Decorative Arts Trust Executive Director Matthew Thurlow merits our most heartfelt praise. Matt has guided the Trust through a decade of growth, especially in supporting scholarship, emerging professionals, and graduate students.
BY SUSAN BROWN AND ALEXA GRIFFITH WINTON
Dorothy Liebes is featured in a Cooper Hewitt, Smithsonian Design Museum exhibition covering her many accomplishments, including the Argonaut textile for the United States Pavilion at the Brussels Universal Exposition—Expo ’58.
BY JORGE F. RIVAS PÉREZ
Sometimes a separate room or a sectioned-off portion of a reception room, the estrado was the most important feminine space in elite Spanish homes.
BY FOONG PING
Chronicles of a Global East, an ongoing exhibition at the Seattle Art Museum, narrates a few of the many stories related to the Silk Roads and maritime routes, where innumerable transnational artistic traditions emerged.
BY WILLIAM KEYSE RUDOLPH
The Nelson-Atkins Museum of Art’s ‘Luxury and Passion: Inventing French Soft-Paste Porcelain’ exhibition uses nearly two dozen works from the Museum’s small but high-quality collections of 18th-century French soft-paste porcelain to trace the development of porcelain in France.
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