BY ELIZABETH S. HUMPHREY
Some of the sculptures contained in Douglass’s collection were Greco-Roman mythological figures such as Clytie, Mercury, and Psyche. However, Douglass’s ownership of a Diana of Versailles bust and a miniature version of The Greek Slave carry special significance.
BY HANNAH PHILLIP
The Grinling Gibbons Society was formed in 2020 to masterplan the tercentenary festival Grinling Gibbons 300: Carving a Place in History (August 2021–August 2022).
BY JULIANA FAGUA ARIAS
Gifts from the Fire highlights the extraordinary diversity and impressive accomplishments of American potteries and ceramicists working from the late 19th century to World War II.
BY TARYN CLARY
In 1965, the Denver Art Museum (DAM) approached Gio Ponti to create a new structure for its growing collections. Then 74 years old, the Italian architect had firmly established himself as a master of Modernism across the globe and across disciplines.
BY JOHN-DUANE KINGSLEY
Nestled in the heart of Milwaukee, WI, is the Villa Terrace Decorative Arts Museum, home to the Cyril Colnik collection of decorative ironwork. Revered as a master craftsman, Colnik’s workshop created thousands of public and private commissions across Milwaukee that act as a tribute to the city’s strong Germanic origins.
BY KATE BURNETT BUDZYN
On the cover of Catherine Hall-van den Elsen’s new monograph—the first in Getty Publications’ Illuminating Women Artists series—is Our Lady of Solitude, an image of a female figure gasping in tears
BY ALEXANDRA M. MACDONALD
Supported by a Decorative Arts Trust Research Grant, I was able to conduct research into the Follet sampler in the MESDA collection and at the Library of Virginia in Richmond. While my research is far from complete, I posit that all four members of the Follet family—Francis, Eliza, Mary, and Ann—are represented in this unique embroidery.
BY ERICA P. LOME
I joined the Concord Museum through a two-year curatorial internship grant funded by the Decorative Arts Trust and the Gerry Charitable Trust. As the Peggy N. Gerry Curatorial Associate, my primary responsibility involves the redesign of 14 new permanent galleries.
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