by The Trust | Aug 1, 2022
BY JESSIE DEAN
From its charming cover alone, this recent publication from Yale University Press caught our eye, but when multiple members recommended it, we knew The Story of the Country House: A History of Places & People by Clive Aslet was worthy of your attention.
by The Trust | Feb 1, 2022
REVIEW: SPECIAL PROGRAM
December 4, 2021
by The Trust | Feb 1, 2022
BY SUE A. KEILBAUGH
In 1901, William Lightfoot Price brought together a group of prosperous Philadelphia free thinkers who enjoyed debating current philosophies of reform with the more informal company of his partners, friends, and relatives whose interests lay primarily in aesthetic matters. The consequence was the start of Price’s experimental utopian community based on the Arts & Crafts Movement.
by The Trust | Feb 1, 2022
BY JULIE SIGLIN
The story begins with a magnificent cherry tree. Wharton Esherick (1887–1970), an artist often considered the father of the Studio Furniture movement, was recently married and searching for a home in which to start his family. While exploring properties for sale in the Paoli, PA, area with his realtor, the agent said, “I’ll show you a place that I think you’ll like.”
by The Trust | Feb 1, 2022
BY ELIZABETH S. HUMPHREY
Some of the sculptures contained in Douglass’s collection were Greco-Roman mythological figures such as Clytie, Mercury, and Psyche. However, Douglass’s ownership of a Diana of Versailles bust and a miniature version of The Greek Slave carry special significance.
by The Trust | Feb 1, 2022
BY HANNAH PHILLIP
The Grinling Gibbons Society was formed in 2020 to masterplan the tercentenary festival Grinling Gibbons 300: Carving a Place in History (August 2021–August 2022).
by The Trust | Feb 1, 2022
BY JULIANA FAGUA ARIAS
Gifts from the Fire highlights the extraordinary diversity and impressive accomplishments of American potteries and ceramicists working from the late 19th century to World War II.
by The Trust | Feb 1, 2022
BY TARYN CLARY
In 1965, the Denver Art Museum (DAM) approached Gio Ponti to create a new structure for its growing collections. Then 74 years old, the Italian architect had firmly established himself as a master of Modernism across the globe and across disciplines.