ONLINE LEARNING

BY ISABELLA ROSNER

Elizabeth and Ann Marsh taught the daughters of elite Quaker and non-Quaker Philadelphia families, establishing a needlework aesthetic popular throughout the Delaware Valley for more than a century.

BY LAURYN SMITH

In the 1600s, wealthy and elite individuals began amassing extraordinary collections, composed of both locally produced and imported works of art. Few were as innovative as Amalia van Solms-Braunfels, Princess of Orange.

BY MICHAEL W. HARTMAN

A 1789 Maryland inventory recorded seven enslaved people—Beck and her children Juliet, Biddy, and Henry; Mary and her daughter Appolonia; and a man called Dick—as the property of Benjamin and Eleanor Laming, the subjects of a double portrait by Charles Willson Peale.

BY MARGARET WOOD

Best known as an interior decorator and wallpaper historian, Nancy Vincent McClelland’s passion for wallpaper spanned decades. Throughout her nearly 60-year career, she studied, collected, produced, and used wallpapers in her practice.

BY JENA GILBERT-MERRILL

In 1909, a little-known artist and social reformer named Louise Brigham published Box Furniture: How to Make a Hundred Useful Articles for the Home, a collection of instructions for producing simple, modular furniture from repurposed wooden packing crates.

BY SUE A. KEILBAUGH

In 1901, William Lightfoot Price brought together a group of prosperous Philadelphia free thinkers who enjoyed debating current philosophies of reform with the more informal company of his partners, friends, and relatives whose interests lay primarily in aesthetic matters. The consequence was the start of Price’s experimental utopian community based on the Arts & Crafts Movement.