by The Trust | Feb 1, 2023
BY CHRISTINA DE LEON
The Cuban-born designer Clara Porset settled in Mexico City as a political exile in 1936 at the age of 41 and would become one of the country’s leading designers.
by The Trust | Feb 1, 2023
BY LAURA BELTRAN-RUBIO
I studied dresses portrayed in a c. 1750 scene of the baptism of Saint John, attributed to the famed portrait painter Joaquín Gutiérrez of Nueva Granada, as part of my doctoral research,
by The Trust | Aug 1, 2022
BY ISABELLA ROSNER
Elizabeth and Ann Marsh taught the daughters of elite Quaker and non-Quaker Philadelphia families, establishing a needlework aesthetic popular throughout the Delaware Valley for more than a century.
by The Trust | Aug 1, 2022
BY LAURYN SMITH
In the 1600s, wealthy and elite individuals began amassing extraordinary collections, composed of both locally produced and imported works of art. Few were as innovative as Amalia van Solms-Braunfels, Princess of Orange.
by The Trust | Aug 1, 2022
BY MICHAEL W. HARTMAN
A 1789 Maryland inventory recorded seven enslaved people—Beck and her children Juliet, Biddy, and Henry; Mary and her daughter Appolonia; and a man called Dick—as the property of Benjamin and Eleanor Laming, the subjects of a double portrait by Charles Willson Peale.
by The Trust | Aug 1, 2022
BY MARGARET WOOD
Best known as an interior decorator and wallpaper historian, Nancy Vincent McClelland’s passion for wallpaper spanned decades. Throughout her nearly 60-year career, she studied, collected, produced, and used wallpapers in her practice.
by The Trust | Aug 1, 2022
BY JENA GILBERT-MERRILL
In 1909, a little-known artist and social reformer named Louise Brigham published Box Furniture: How to Make a Hundred Useful Articles for the Home, a collection of instructions for producing simple, modular furniture from repurposed wooden packing crates.
by The Trust | Feb 1, 2022
BY SUE A. KEILBAUGH
In 1901, William Lightfoot Price brought together a group of prosperous Philadelphia free thinkers who enjoyed debating current philosophies of reform with the more informal company of his partners, friends, and relatives whose interests lay primarily in aesthetic matters. The consequence was the start of Price’s experimental utopian community based on the Arts & Crafts Movement.