Jefferson’s Retirement Masterpiece: Restoring Poplar Forest
BY TRAVIS MACDONALD
The long, slow restoration of Poplar Forest has been an ambitious undertaking, and in 2023 we celebrate the completion of that 32-year journey.
A Life Full of Art: Collections and Connections at Cranbrook’s Smith House
BY NINA BLOMFIELD
The Decorative Arts Trust Marie Zimmermann Resident Collections Fellowship has been an incredibly valuable opportunity to grow as a scholar and museum professional.
A New Vision for Newport’s Hunter House
BY LESLIE B. JONES, NICOLE J. WILLIAMS, AND MARYKATE SMOLENSKI
The Preservation Society of Newport County reopened its landmark colonial property Hunter House with a new guide-led tour that highlights the experiences of the home’s many occupants, including generations of prosperous merchants and enslaved and free people of African descent.
Manipulating Mother-of-Pearl: An 18th Century Coque de Perle Bracelet
BY CYNTHIA KOK
The popularity of coque de perle hints at mother-of-pearl’s transition from a valued rarity to a semi-precious, but abundant, resource with which makers experimented.
Tracing a Friendship Through Design: Clara Porset and Josef Albers
BY CHRISTINA DE LEON
The Cuban-born designer Clara Porset settled in Mexico City as a political exile in 1936 at the age of 41 and would become one of the country’s leading designers.
Interrogating Fashion Through Religious Painting in Colonial Spanish America
BY LAURA BELTRAN-RUBIO
I studied dresses portrayed in a c. 1750 scene of the baptism of Saint John, attributed to the famed portrait painter Joaquín Gutiérrez of Nueva Granada, as part of my doctoral research,
Teaching Needlework: Quaker Mother-Daughter Duo Elizabeth and Ann Marsh
BY ISABELLA ROSNER
Elizabeth and Ann Marsh taught the daughters of elite Quaker and non-Quaker Philadelphia families, establishing a needlework aesthetic popular throughout the Delaware Valley for more than a century.
Chinese Porcelain and Japanese Lacquerware in the Cabinets of Amalia van Solms-Braunfels
BY LAURYN SMITH
In the 1600s, wealthy and elite individuals began amassing extraordinary collections, composed of both locally produced and imported works of art. Few were as innovative as Amalia van Solms-Braunfels, Princess of Orange.
