BY NINA BLOMFIELD
The Decorative Arts Trust Marie Zimmermann Resident Collections Fellowship has been an incredibly valuable opportunity to grow as a scholar and museum professional.
BY LESLIE B. JONES, NICOLE J. WILLIAMS, AND MARYKATE SMOLENSKI
The Preservation Society of Newport County reopened its landmark colonial property Hunter House with a new guide-led tour that highlights the experiences of the home’s many occupants, including generations of prosperous merchants and enslaved and free people of African descent.
BY CYNTHIA KOK
The popularity of coque de perle hints at mother-of-pearl’s transition from a valued rarity to a semi-precious, but abundant, resource with which makers experimented.
BY CHRISTINA DE LEON
The Cuban-born designer Clara Porset settled in Mexico City as a political exile in 1936 at the age of 41 and would become one of the country’s leading designers.
BY LAURA BELTRAN-RUBIO
I studied dresses portrayed in a c. 1750 scene of the baptism of Saint John, attributed to the famed portrait painter JoaquĂn GutiĂ©rrez of Nueva Granada, as part of my doctoral research,
BY ISABELLA ROSNER
Elizabeth and Ann Marsh taught the daughters of elite Quaker and non-Quaker Philadelphia families, establishing a needlework aesthetic popular throughout the Delaware Valley for more than a century.
BY LAURYN SMITH
In the 1600s, wealthy and elite individuals began amassing extraordinary collections, composed of both locally produced and imported works of art. Few were as innovative as Amalia van Solms-Braunfels, Princess of Orange.
BY MICHAEL W. HARTMAN
A 1789 Maryland inventory recorded seven enslaved people—Beck and her children Juliet, Biddy, and Henry; Mary and her daughter Appolonia; and a man called Dick—as the property of Benjamin and Eleanor Laming, the subjects of a double portrait by Charles Willson Peale.
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