BY WILLIAM A. STROLLO
A collaborative exhibition between the Black Craftspeople Digital Archive and the Daughters of the American Revolution (DAR) Museum, Fighting for Freedom: Black Craftspeople and the Pursuit of Independence centers on the lives, experiences, trials, and triumphs of Black craftspeople, illuminating their journey towards autonomy and presenting inclusive vignettes into the American fight for freedom.
BY ELYSE D. GERSTENECKER
The story of Newcomb College Pottery has been told often. Seeking out a way for alumnae to put their education into practice, the leaders of the art department of H. Sophie Newcomb Memorial College in New Orleans established a pottery. Director Ellsworth Woodward (1861–1939) hired Mary Given Sheerer (1865–1954) to teach china painting courses in 1894, and Sheerer began working toward establishing the Pottery the following year.
BY MARIE-LAURE BUKU PONGO
The Frick Collection recently reopened its doors following a significant renovation, marking a true milestone in the institution’s 90-year history. This project not only restored familiar spaces on the first floor of our historic home on New York City’s Upper East Side but also unveiled the second floor to the public for the first time.
BY AMANDA C. BURDAN AND EMILY ZILBER
The Brandywine Museum of Art’s new exhibition, “The Crafted World of Wharton Esherick,” explores the interdisciplinary creativity of Wharton Esherick (1887–1970), the famed American artist and designer renowned for his expressive approach to wood, his favored medium.
BY THE SAINT LOUIS ART MUSEUM
This summer, the Saint Louis Art Museum (SLAM) is hosting the exhibition ‘Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection,’ which features more than 100 works drawn from the Los Angeles County Museum of Art’s notable collection of Spanish colonial art.
BY R. TRIPP EVANS
Historic New England invites visitors into the private world of four “bachelor-aesthetes,” men who defined American style from the Gilded Age to the Jazz Age yet whose lives have remained, until now, mostly in shadow.
BY REED GOCHBERG
The Concord Museum’s special exhibition 𝘐𝘯𝘵𝘦𝘳𝘸𝘰𝘷𝘦𝘯: 𝘞𝘰𝘮𝘦𝘯’𝘴 𝘓𝘪𝘷𝘦𝘴 𝘞𝘳𝘪𝘵𝘵𝘦𝘯 𝘪𝘯 𝘛𝘩𝘳𝘦𝘢𝘥 features samplers made by young women during the 18th and 19th centuries in Middlesex County, MA.
BY LAURA OCHOA RINCON
Thanks to my Decorative Arts Trust Curatorial Fellowship, I have learned an extraordinary amount in my first year about glass, rings, fashion, and how all of these different objects are ways to convey stories about people.
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