BY ROBERT SHAW AND EMILIE GEVALT
American Weathervanes: The Art of the Winds, on view at the American Folk Art Museum, explores the rich layers of meaning behind a range of these evocative sculptural objects, crafted between the 1760s and 1914.
BY A. NICHOLAS POWERS
The Museum of the Shenandoah Valley (MSV) in Winchester, VA, is home to one of the largest collections of works by painter Edward Caledon Bruce (1825–1900).
BY TREVOR BRANDT
The exhibition at the American Swedish Historical Museum reunites the workshop and wares of Olof Althin (1859–1920), an immigrant cabinetmaker and antiques restorer in turn-of-the-20th-century Boston.
BY CARRIE GREIF
This summer, read Craft: An American History, In Sparkling Company: Reflections on Glass in the 18th-Century British World, and Marking Time: Objects, People, and Their Lives, 1500–1800.
BY LINDSY R. PARROTT
Can you tell the difference between an authentic Tiffany lamp and a forgery? That question—and challenge—is the focus of Tiffany or Tiphony? The Art of Connoisseurship, a new traveling exhibition organized by the Neustadt Collection of Tiffany Glass in Queens, NY.
BY CHRISTIE JACKSON
Long Hill is a Federal Revival home designed by the Boston firm Richardson, Barott & Richardson for Ellery and Mabel Cabot Sedgwick.
BY LOUISA BROUWER
I am delighted to expand on the ‘Country Life’ cameo and feature a few more of my favorite things, as a Curator for the National Trust.
BY TARYN CLARY
The Guide to Historic Artists’ Homes & Studios (HAHS), authored by program manager Valerie A. Balint (Princeton Architectural Press) was conceived as an easily accessible and visually-forward guide.
Join our mailing list to receive the latest news, tour and symposium announcements from the Decorative Arts Trust.